AIR, CBS Studios, Mayfair Studios (London), Studio Marcadet (Paris), AIR (Montserrat)
Genre
Experimental, synthpop
Length
51:47
Label
China Polydor
Producer
Anne Dudley J. J. Jeczalik Ted Hayton
Art of Noise chronology
In No Sense? Nonsense! (1987)
Below the Waste (1989)
The Seduction of Claude Debussy (1999)
Professional ratings
Review scores
Source
Rating
Allmusic
[1]
Hi-Fi News & Record Review
A*:1/2[2]
Below the Waste is Art of Noise's fourth full-length original album and their last album for China Records before Anne Dudley re-formed the group with ZTT's Trevor Horn and Paul Morley for 1999's The Seduction of Claude Debussy.
The album saw the group experimenting with world music, collaborating with South African Zulu group Mahlathini and the Mahotella Queens, who provide a heavy layer of mostly non-English-language vocals on three tracks ("Yebo!", "Chain Gang" and "Spit"). The album was produced by Anne Dudley, Ted Hayton and J.J. Jeczalik.
The album represents the diverging interests of the two remaining members of the original group, Anne Dudley and J.J. Jeczalik. Dudley's influence is evident in the album's ambient interludes of melodic, orchestral pieces, while Jeczalik's influence can be heard in the album's dub tracks and harder, rock-edged pieces. The latter songs also feature arrangements more typical of the band's earlier material, utilising sampling techniques, lengthy fade-outs, a diverse mixture of classical instruments, guitar riffs and percussion typical of industrial music.
Like its predecessor, In No Sense? Nonsense!, the album also features cover versions of previously recorded themes composed for television and film, namely "Robinson Crusoe" (originally the theme to the 1964 television programme The Adventures of Robinson Crusoe) and "James Bond Theme" which was submitted for the soundtrack of the 1989 James Bond film Licence to Kill and subsequently rejected by the film's producers.[citation needed].
The "Emphasis Speakers" on the album cover were designed by Morten Villiers Warren for B&W. The orchestra was led by John Bradbury.
Although the album was praised for its collaboration with Mahlathini and the Mahotella Queens, the reviews for the album were mostly negative, with Allmusic music reviewer Dean Carlson calling the album a "misfire" and compared it to "world mall-music".[3]
^Allmusic review
^Dellar, Fred (December 1989). "Review: Art of Noise — Below the Waste" (PDF). Hi-Fi News & Record Review (magazine). Vol. 34, no. 12. Croydon: Link House Magazines Ltd. p. 139. ISSN 0142-6230. Archived from the original (PDF) on 3 September 2021. Retrieved 27 September 2021 – via World Radio History.
^"Below the Waste - the Art of Noise | Release Info | AllMusic". www.allmusic.com. Archived from the original on 20 December 2016. Retrieved 22 May 2022.
BelowtheWaste is Art of Noise's fourth full-length original album and their last album for China Records before Anne Dudley re-formed the group with...
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the Art of Noise? (1984) In Visible Silence (1986) In No Sense? Nonsense! (1987) BelowtheWaste (1989) The Seduction of Claude Debussy (1999) "The Art...
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"In·No·Sense? Nonsense!". The Art of Noise Online. Retrieved 24 May 2014. "BelowTheWaste". The Art of Noise Online. Retrieved 24 May 2014. "The Seduction Of Claude...
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songs from the Art of Noise albums In Visible Silence and In No Sense? Nonsense!, as well as the song "Island" from BelowtheWaste. The album spawned...
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