Avadhānaṃ is a literary performance popular from the medieval era in India. Avadhānaṃ was originated and primarily cultivated among Telugu poets.[1] It involves the partial improvisation of poems using specific themes, metres, forms, or words.[2] The true purpose of an Avadhanam event thus is the showcasing, through entertainment, of superior mastery of cognitive capabilities - of observation, memory, multitasking, task switching, retrieval, reasoning and creativity in multiple modes of intelligence - literature, poetry, music, mathematical calculations, puzzle solving etc.
It requires immense memory power and tests a person's capability of performing multiple tasks simultaneously. All the tasks are memory intensive and demand an in-depth knowledge of literature, and prosody. The tasks vary from making up a poem spontaneously to keeping a count of a bell ringing at random. No external memory aids are allowed while performing these tasks except the person's mind.[3]
Avadhānaṃ can be considered as the Divided attention (clinical model of attention) as it is the highest level of attention and it refers to the ability to respond simultaneously to multiple tasks or multiple task demands.[4][5][failed verification]
Avadhāni refers to the individual who performs the Avadhānaṃ; one of the many individuals asking questions is a Pṛcchaka (questioner). The first person to ask the question is called "Pradhāna Pṛcchaka" they are the same as any other Pṛcchaka except that they ask the first question. The questions asked are primarily literary in nature. The Pṛcchakas can optionally place additional constraints.[6] Though it is not stated explicitly, conformation to Chandas (poetic metre) is mandatory. Avadhāni should answer them in the form of a poem. The questions generally consist of a description given in prose and the avadhāni has to express it as a poem. The additional restrictions placed by the Pṛcchakas can be anything like asking the avadhāni not to use a given set of the alphabet in the entire poem or to construct only a particular type of poem etc.
^Datta, Amaresh (1987). Encyclopaedia of Indian Literature. Vol. 1. Sahitya Akademi. pp. 292, 293. ISBN 978-81-260-1803-1.
^Amaresh Datta, The Encyclopaedia Of Indian Literature, v. 1, "Avadhanam" (Sahitya Akademi, 2006; ISBN 81-260-1803-8)
^Computer Science department - IIT-Madras Archived July 21, 2011, at the Wayback Machine
^Dan Robinson. "Attention". University of Texas at Austin. Retrieved 12 December 2011.[dead link]
^"Divided Attention". Cognifit. Retrieved 12 December 2011.
^"The Hindu - November 2010". The Hindu. Archived from the original on 2011-06-29. Retrieved 2011-03-03.
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