The Art dans Tout movement was a French art group which operated from 1896 to 1901.[1] Originally called Les Cinq, because it had five founder members, artist and lace designer Félix Aubert, sculptor and craftsman Alexandre Charpentier, sculptor and medalist Jean Dampt, sculptor and medalist Henry Nocq and architect Charles Plumet, it later changed its name to Les Six when Nocq left the group in 1897, replaced by painter Étienne Moreau-Nélaton and architect and decorator Tony Selmersheim. In 1898, the group expanded further to become Art dans Tout when Carl-Albert Angst, a sculptor and student of Dampt,[2] Jules Desbois, a sculptor, Paul Follot,[3] a furniture designer, Alphonse Hérold, a cabinetmaker, Antoine Jorrand, a painter and tapestry designer, Henri Sauvage, an architect, and Louis Sorrel, an architect and collaborator of Aubert's, joined. The group dissolved in 1901 due to commercial necessity.[4]
The group's philosophy can be summed up in two concepts, that the form of a work of art should always fit its function and be artistic, and that the material the work is made from should always reflect the purpose of the object and the nature of the material.[2]
^FROISSART-PEZONE, ROSSELLA; Wittman, Richard (2001-04-01). "Felix Aubert, Art dans Tout, and Art Nouveau Lace". Studies in the Decorative Arts. 8 (2): 37–76. JSTOR 40662780.
^ abWeisberg, Gabriel P.; Menon, Elizabeth K. (1998). Art Nouveau: A Research Guide for Design Reform in France, Belgium, England, and the United States. Routledge. pp. 184, 238.
^"Ketterer Kunst, Art auctions, Book auctions Munich, Hamburg & Berlin". www.kettererkunst.com. Retrieved 2016-01-05.
^Arwas, Victor (2002). Art Nouveau: The French Aesthetic. Papadakis Publisher. pp. 321, 616. ISBN 9781901092370.
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