Decanter-Shaped Vase with Dragonfly, circa 1915, cloisonné enamel on silver, Walters Art Museum
Ando Jubei (1876–1956)[1] was a Japanese cloisonné artist from Nagoya.[2][3][4] Along with Hayashi Kodenji, he dominated Nagoya's enameling industry in the late Meiji era.[5] Ando, Namikawa Yasuyuki, and Namikawa Sōsuke are considered the three artists whose technical innovations brought in the "Golden Age for Japanese cloisonné" in the late 19th century.[6]
Ando was the Meiji era's most prolific creator of presentation wares: artworks that were commissioned by members of the Imperial Family for presentation to foreign dignitaries.[7]
He exhibited at the Japan–British Exhibition of 1910.[8]
Pair of presentation vases with the Imperial Household symbol, Khalili Collection of Japanese Art
His work is held in the collections of the Walters Art Museum,[9] the Ashmolean Museum[10] and in the Khalili Collection of Japanese Art.[11]
The Ando Cloisonné Company continues his work.
^"Musée d'Orsay: Notice d'Artiste". www.musee-orsay.fr. Retrieved 6 May 2020.
^Charles Holme; Guy Eglinton; Peyton Boswell; William Bernard McCormick; Henry James Whigham (1913). International studio. New York Offices of the International Studio. p. 171. Retrieved 18 April 2012.
^Official catalogue of exhibitors: Universal exposition, St. Louis, U.S.A. 1904. For the Committee on press and publicity, by the Official catalogue company (inc.). 1904. p. 265. Retrieved 18 April 2012.
^Walter Hines Page; Arthur Wilson Page (1904). The World's work ...: a history of our time. Doubleday, Page & Co. p. 5184. Retrieved 18 April 2012.
^Earle, Joe. (1999). Splendors of Meiji : treasures of imperial Japan : masterpieces from the Khalili Collection. St. Petersburg, Fla.: Broughton International Inc. p. 253. ISBN 1-874780-13-7. OCLC 42476594.
^Leonard, Loryn (26 June 2012). "How It's Made: Japanese Cloisonné". Dallas Museum of Art Uncrated. Archived from the original on 13 August 2020. Retrieved 6 May 2020.
^Earle, Joe. (1999). Splendors of Meiji : treasures of imperial Japan : masterpieces from the Khalili Collection. St. Petersburg, Fla.: Broughton International Inc. p. 349. ISBN 1-874780-13-7. OCLC 42476594.
^Earle, Joe. (1999). Splendors of Meiji : treasures of imperial Japan : masterpieces from the Khalili Collection. St. Petersburg, Fla.: Broughton International Inc. p. 291. ISBN 1-874780-13-7. OCLC 42476594.
^"Ando Jubei". Collections. Walters Art Museum. Retrieved 18 April 2012.
^Arthur MacGregor; Ashmolean Museum (1 December 2001). The Ashmolean Museum: A Brief History of the Museum and Its Collections. Ashmolean Museum. p. 70. ISBN 978-1-85444-148-5. Retrieved 18 April 2012.
^Earle, Joe. (1999). Splendors of Meiji : treasures of imperial Japan : masterpieces from the Khalili Collection. St. Petersburg, Fla.: Broughton International Inc. p. 272. ISBN 1-874780-13-7. OCLC 42476594.
AndoJubei (1876–1956) was a Japanese cloisonné artist from Nagoya. Along with Hayashi Kodenji, he dominated Nagoya's enameling industry in the late Meiji...
This contrasts with the Chinese style which used thick metal cloisons. AndoJubei introduced the shōtai-jippō (plique-à-jour) technique which burns away...
by, among other cloisonné artists, Namikawa Sōsuke, Namikawa Yasuyuki, AndoJubei, and Hattori Tadasaburō all of whom were appointed Imperial Household...
each of three notable artists: Namikawa Yasuyuki, Namikawa Sōsuke, and AndoJubei. These are regarded as the three great innovators of the golden age of...
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