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Amy Sillman information


Amy Sillman
Born1955 (age 68–69)
Detroit, Michigan, United States
EducationSchool of Visual Arts
Known forPainting, drawing, animation, zines
AwardsGuggenheim Fellowship, American Academy of Arts & Letters, Joan Mitchell Foundation, Pollock-Krasner Foundation, Louis Comfort Tiffany Foundation, National Endowment for the Arts
WebsiteAmy Sillman
Amy Sillman, Split 2, oil and acrylic on canvas, 75" x 66", 2020.

Amy Sillman (born 1955) is a New York-based visual artist, known for process-based paintings that move between abstraction and figuration, and engage nontraditional media including animation, zines and installation.[1][2][3] Her work draws upon art historical tropes, particularly postwar American gestural painting, as both influences and foils; she engages feminist critiques of the discourses of mastery, genius and power in order to introduce qualities such as humor, awkwardness, self-deprecation, affect and doubt into her practice.[4][5][6] Profiles in The New York Times, ARTnews,[3] Frieze,[7] and Interview,[8] characterize Sillman as championing "the relevance of painting"[2] and "a reinvigorated mode of abstraction reclaiming the potency of active brushwork and visible gestures."[1] Critic Phyllis Tuchman described Sillman as "an inventive abstractionist" whose "messy, multivalent, lively" art "reframes long-held notions regarding the look and emotional character of abstraction."[9]

Sillman has exhibited at institutions including the Museum of Modern Art (MoMA),[10] Whitney Museum,[11] Institute of Contemporary Art, Boston,[12] and Portikus (Frankfurt).[13] She has received a Guggenheim Fellowship[14] and awards from the Joan Mitchell, Louis Comfort Tiffany and Pollock-Krasner foundations,[15][16][17] and her art belongs to the public collections of MoMA,[10] the Metropolitan Museum of Art,[18] and Tate Modern, among other recognition.[19]

  1. ^ a b Farago, Jason. "Amy Sillman’s Breakthrough Moment Is Here," The New York Times, October 9, 2020, p. C1. Retrieved March 1, 2022.
  2. ^ a b Loos, Ted. "Blobs and Slashes, Interrupted by Forms," The New York Times, September 29, 2013, p. AR20. Retrieved March 1, 2022.
  3. ^ a b Tuchman, Phyllis. "Artisanal Abraction: The Elusive, Effusive Art of Amy Sillman," ARTnews, February 16, 2018. Retrieved March 2, 2022.
  4. ^ Molesworth, Helen. "Amy Sillman: Look, Touch, Embrace," Amy Sillman: One Lump or Two, Helen Molesworth (ed.), Munich: Prestel, 2013. Retrieved March 2, 2022.
  5. ^ Norden, Linda. "Amy Sillman: The Elephant in the Painting," Artforum, February 2007, p. 238–45. Retrieved March 2, 2022.
  6. ^ Wu, Simon. "Amy Sillman," Artists, Museum of Modern Art, 2021. Retrieved March 1, 2022.
  7. ^ Noor, Tausif. "Amy Sillman," Frieze, March 2021. Retrieved March 1, 2022.
  8. ^ Mullen, Matt. "The Playfully Troubled Art of Amy Sillman," Interview, January 25, 2018. Retrieved March 1, 2022.
  9. ^ Tuchman, Phyllis. "Amy Sillman: Twice Removed," The Brooklyn Rail, November 14, 2020. Retrieved March 1, 2022.
  10. ^ a b Museum of Modern Art. "Amy Sillman,", Artists. Retrieved March 1, 2022.
  11. ^ Molesworth, Helen. "The Whitney Biennial," Artforum, May 2014. Retrieved March 9, 2022.
  12. ^ Martin, Cameron. "Amy Sillman 'one lump or two,'" Artforum, September 2013. Retrieved March 1, 2022.
  13. ^ Linn, Elisa. "Amy Sillman: Portikus, Frankfurt," Frieze, October 2016. Retrieved March 1, 2022.
  14. ^ John Simon Guggenheim Memorial Foundation. "Amy Sillman," Fellows. Retrieved March 1, 2022.
  15. ^ Joan Mitchell Foundation. "Amy Sillman," Supported Artists. Retrieved March 1, 2022.
  16. ^ Louis Comfort Tiffany Foundation. "Previous Biennial Competition Award Winners –1999," Retrieved March 1, 2022.
  17. ^ Smith, Valérie. Amy Sillman, London: Lund Humphries Publishers, 2019. Retrieved March 1, 2022.
  18. ^ The Metropolitan Museum of Art. Finger x 2, 2015, Amy Sillman, Art Collection. Retrieved March 3, 2022.
  19. ^ Tate Modern. Amy Sillman, Artists. Retrieved March 9, 2022.

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